Hate all your classes already? If the prospect of doing all the work for the courses you’ve selected is starting to annoy you, you’re in luck. The Bullblog has gone through the listing of OCS course demand statistics, and based on that information, we’ve compiled a list of seminars with fewer than ten people currently signed up on classesv2 at the time of writing. By no means do we guarantee that you’ll get into these — or that you’ll like them, for that matter — but if you see something you like on this dauntingly long list, it might be worth it to look into it further and/or formulate a crazy desperate groveling email to the professor.

Best of luck! Soon it’ll all be over (downside: we’ll be complaining about midterms freakishly soon).

    • AFAM 117/HIST 117J — Religion in African Canadian History
    • AFAM 383/AFST 476/FREN 376 — The Two Congos: Literature and Culture
    • AMST 390 — The Junior Seminar (Memory: an Interdisciplinary Exploration)
    • AFAM 338/ENGL 335/LITR 280 — Caribbean Poetry
    • AFAM 423/AFAM 743/AMST 384/AMST 654/ENGL 306/ENGL 845 — American Artists and the African American Book
    • AFAM 429/ENGL 448 — Black Pulp Fiction
    • AFST 365/AFST 665 — Language & Identity in South Africa
    • AFST 430 — Language Policy in Sub-Saharan Africa
    • AMST 235/ENGL 354 — Language, Disability, Fiction
    • AMST 283/ER&M 383 — The Latina/o Novel
    • AMST 380/FILM 339 — Cultural Encounters in American Film
    • AMST 409/ER&M 447/HIST 163J — Northeastern Native America, 1850 to Today
    • ANTH 371 — Modern Indonesia
    • ANTH 444/ANTH 744/ARCG 444/ARCG 744 — Social Archaeology
    • ANTH 450/ANTH 750/ARCG 450/ARCG 750 — Analysis of Lithic Technology
    • ANTH 463/ANTH 663/ER&M 366/SAST 419/SAST 619 — Ethnicity, Indigeneity, Mobility
    • ART 142 — The Language of Film Workshop
    • ART 201 — Critical Theory in the Studio
    • ART 235/THST 235 — Dance Theater
    • ART 341 — The Intermediate Fiction Film Workshop
    • BRST 182 — Tudors and English Renaissance
    • CENG 377/ENVE 377/F&ES 777 — Water Quality Control
    • CHEM 167/MCDB 167 — From Microbes to Molecules II
    • CHLD 126/EDST 191 — Clinical Assessment of Young Children
    • CLCV 214/HUMS 278/LITR 225/MGRK 202/WGSS 337 — The Poetry of C. P. Cavafy
    • CLCV 238/HUMS 269/LITR 155 — Classics in Africa and the Black Diaspora
    • E&EB 150 — Genomics, Evolution & Human Biology
    • E&EB 380 — Life History Evolution
    • EALL 241/EALL 541/REL 941 — Chinese and Japanese Christian Literature
    • EAST 415/JAPN 301 — Spectacle in Early Modern Japan
    • ECON 180 — Intro to Chinese Economy
    • EGYP 151 — Intermediate Egyptian II: Late Egyptian Stories
    • ENGL 172 — Chaucer & the Idea of English Literature
    • ENGL 177/THST 279 — Medieval Drama
    • ENGL 336/LITR 323/THST 303 — The Opera Libretto
    • ENGL 402 — Middle English Alliterative Poetry
    • ENGL 433 — Dickens on the Page
    • EP&E 252/GLBL 366/PLSC 401 — Promoting Democracy in Developing Countries
    • EP&E 282/PLSC 341 — Positive Political Theory
    • EP&E 445/PHIL 453/PHIL 653 — Contemporary Kantian Ethics
    • ER&M 337/LITR 257 — Literature, Ethics and Globalization
    • EVST 275/F&ES 275/F&ES 733 —  Ecosystem Pattern and Process
    • EVST 301/HIST 122J — Environmental Law and Politics in the 1970s
    • FREN 213 — Intro to Medieval Literature
    • FREN 231 — Culture & Literature of Quebec
    • G&G 421 — Geophysical Fluid Dynamics
    • GLBL 386 — The Politics of Human Rights Law
    • GMAN 350/GMST 350/LITR 247 — Kafka’s K’s
    • GREK 405 — Daily Life in the Papyri
    • HIST 255J — London and Modernity, 1880-Present
    • HIST 312J — The Cold War in East Asia
    • HIST 324J/SAST 326 — Texts of Indian Modernity
    • HIST 384J/MMES 172/NELC 403 — The Middle East between Crusaders and Mongols
    • HIST 398J/MMES 173/NELC 404 — Mamluk Egypt
    • HIST 425J — From White Slavery to Sex Trafficking
    • HSAR 330/SAST 273 — Place, Landscape and Travel in South Asian Art
    • HSAR 422/REL 928 — Architecture, Identity and Faith in Britain, 1851-1951
    • HSAR 466 — Technical Examination of Art
    • HSAR 488 — Buddhist Mandalas
    • HUMS 223/ITAL 279/LITR 182 — Boccaccio, Chaucer and the Medieval Story
    • HUMS 265/RUSS 219 — The Russian Festive Table
    • HUMS 292/ITAL 366 — Representations of the Borgias
    • ITAL 155 — The Language of Journalism
    • ITAL 156 — Language in Film
    • JAPN 272 — Japanese Popular Culture
    • JDST 313/LAST 313/LITR 256 — Jewish Latin American Literature
    • JDST 393/JDST 736/RLST 409/RLST 746 — Midrash Seminar: The Theophany at Sinai
    • LAST 210/PORT 210 — Introduction to Brazilian Literature
    • LAST 220/SPAN 220/THST 220 — Theater and Poetry Workshop
    • LAST 221/PORT 220 — Reading Contemporary Poetry
    • LING 200 — Experimentation in Linguistics
    • LING 230 — Techniques in Neurolinguistics
    • LING 247 — Indigenous Languages of Australia
    • LING 280 — Morphology
    • LING 355 — Doubling in Syntax
    • LING 372 — Meanings, Concepts, and Words
    • LITR 156/SAST 461 — Indian Texts and Contexts
    • LITR 260/PORT 385 — Brazilian Literature in the New Republic
    • LITR 408 — Imperialist Modernism
    • LITR 460 — Cosmopolitanism, East and West
    • MMES 380/SOCY 387 — Law in Muslim Societies
    • MUSI 314 — Composition: Musical Theater
    • MUSI 365 — Folk Hymnody in American Culture
    • MUSI 449 — Schenkerian Analysis
    • PHIL 434 — Stoic Logic
    • PLSC 169 — Classics of World Politics
    • PLSC 264 — City Politics: NY, LA, Chicago
    • PLSC 269/SOCY 253 — Ethnography of Everyday Political Life
    • RLST 117/SAST 272/THST 117 — Gods and the Theater in India
    • SAST 360 — Intro to Bhakti Literature
    • SAST 449/WGSS 449 — Fictions of Indian Women
    • SOCY 367 — Citizenship and Civic Engagement
    • SOCY 370 — Embodied Sociology
    • SPAN 306 — Modernity in Hispanic Poetry
    • SPAN 335 — Law and History to Novel
    • THST 295 — Performance Studies
    • THST 376 — Digital Media in Performance
    • WGSS 295 — Globalizing Gender