Black Noise made it clear that Pantha Du Prince was a genius of minimal house. (Make a note to go buy or stream that album right now and listen straight through.) But with his latest album, Elements of Light, Pantha limits himself in a new and somewhat unpromising way: pairing a 50-ton carillon with his understated beats. (On the plus side, he can totally rock Spring Fling this year, with a little help from Harkness Tower).

Does Pantha pull it off? Very nearly so. After the least rock-star countdown in the history of music, “Wave” kicks off Elements with a bright, charming melody straight out of the Philip Glass playbook, adding a hint of ripple or drone or double-time chime whenever the tune grows monotonous. “Particle” takes 15 minutes to stretch out, moving from Monolake-inspired percussion that rattles like a rusty pinwheel to a rollicking house jam. (Who knew bells could be so funky?) The album’s transitions are immaculate; Pantha’s electronica helps the Bell Laboratory call forth rain, harbors, and a bustling city without ever sounding forced.

However, the smooth, danceable “Photon” runs out of steam halfway through, and while “Spectral Split” cohesively integrates two very different musical ideas, it takes eight minutes to become actually enjoyable. “Quantum”, the final track, is little more than aimless chiming—a lackluster finish to a spirited collaboration. Elements of Light is ultimately two-thirds good, one-third lazy. Listen if you like bells, or Pantha, but don’t be afraid to skip ahead or pull out early.